Sweet Talkin' Guy (2025)

-Written by Kyle Bain.

A trans woman, Dylan (Miss Dylan) goes on three dates, with three different men. She finds herself in the presence of insecurity, but she powers through. By the end of Sweet Talkin’ Guy viewers are forced to question the validity of the men’s skepticism, Dylan’s place in this world, and the world around us. 

Sweet Talkin’ Guy is concise, providing very little context along the way–giving viewers just enough exposition in order to understand what’s occurring. Dylan says nothing throughout the entirety of this short film, only tasked with reacting to the three men that she’s on dates with. The omission of dialogue on Dylan’s part works wonderfully, as it allows Dylan to remain something of an enigma throughout. We don’t necessarily understand Dylan’s situation, but it’s clear through her reactions to the three men that this isn’t new to her, that she fully understands the situation at hand. Dylan is brilliant in her ability to react to the others, and Sweet Talkin’ Guy is emotionally appealing and comedic as a result. 

Writer-Directors Dylan and Spencer Wardwell make interesting decisions throughout the course of Sweet Talkin’ Guy, including the decision not to take a stance. At no point in this film is there an opportunity to cast aspersions at the characters in the film. There is a level of understanding present in each of the characters. Do I understand these specific situations? No, however, I understand the idea of struggling with confidence, with the concern of being judged by others. Beyond the idea of a trans woman going on a series of dates with men, confidence is the primary theme of Sweet Talkin’ Guy. That allows the film to remain accessible to viewers. Simplicity is the key to this film’s success–and, again, not choosing sides keeps the film from becoming divisive. 

Interestingly enough, by the end of Sweet Talkin’ Guy, I feel that viewers are meant to question who the title is in reference to. Are we meant to think it’s a reference to the men that Dylan dates throughout the four-minute short film, or is there something to the idea that maybe Dylan is the titular character? I’m not entirely sure if this was the intention of the writer-director duo, but this exists within the context of the film nonetheless. 

There’s mystery surrounding Dylan’s identity, in understanding who she is. Her lack of dialogue builds on that mystery, creating a sense of immersion throughout, and causing the final three, identical lines at the conclusion of the film to leave a lasting impression. Sweet Talkin’ Guy is interestingly immersive, succinct, and, by its conclusion, ultimately direct in its message. Dylan and Wardell allow viewers to form their own opinions(with guidance), without being pushy. Sweet Talkin’ Guy manages to quickly become a fun venture into an unfamiliar world, brought to life by vibrant performances and crisp visuals. 

Written & Directed by Miss Dylan & Spencer Wardell. 

Starring Miss Dylan, Pierce Abernathy, Jimmie Falls, Daniel Olson, etc. 

8.5/10 = WORTH RENTING OR BUYING