Selah (2026)

-Written by Kyle Bain.

When Selah (Birdie Silverstein) takes a job transporting a dog halfway across the country to its new owners, she doesn’t realize the responsibility that comes with taking care of the needy pup. And when she arrives at her destination, there is far more to her journey than initially expected. 

Shrouded in a subtle, but wildly important mystery, Selah takes viewers on a ride with the titular character and her new, furry friend. As they navigate the western half of the United States they run into issues—some that make no sense, and others that transpire organically. The blend of simplicity and hyperbole is inviting, as it allows viewers access to a film that is innately human—while still presenting them with something absurd enough to force a chuckle or two along the way. The effective comedy produces a sense of levity throughout, one that veils the hidden meaning beneath the surface of Selah. 

Silverstein is charming. Her innocent demeanor mirrors that of her four-legged companion, but it also subtly juxtaposes that aforementioned deeper meaning (which I refuse to spoil for potential viewers). What’s most impressive about the way she brings Selah to life, is her ability to manipulate her face. Silverstein is incredibly impressive in her ability to be reactive to the other actors on screen, conveying (again) innocence, frustration, intensity, and a slew of other emotions on which Selah heavily relies. Silverstein’s charisma, coupled with her ability to enhance each of the scenes in which she’s present makes her the perfect choice for this role—and she shines brightly throughout. 

The cinematography is a note of contention in Selah, though, there are certainly masterful moments that invite viewers into the short film. In the early going, Selah falls victim to shaky camera syndrome. While this has the potential to provide some subtle exposition regarding the relationship between Selah and her mother Claire (Milana Vayntrub), it ultimately creates something of a dizzying effect that steals from the whimsical nature of the first act of the film. What Silverstein is able to do throughout the course of Selah, the cinematography combats that early on—taking viewers out of the film. However, as the film progresses and the aforementioned mystery is slowly revealed, the shaky camera’s purpose is fully realized, strengthening the intensity present in Selah’s narrative. 

Additionally, in one particular scene the frame rate is slowed, and there’s a sudden jolt of energy inserted into the film. While much of Selah possesses an infectious energy, this one scene, one that is cinematically antithetical to the rest of the film, felt special. Silverstein’s expressive face is brilliantly captured, the bouncing legs of the puppy will force a laugh, and the all-around captivating nature of the comedy and intensity are blended masterfully and fully realized in this moment. Director of Photography Chloe Weaver takes viewers on a roller coaster ride—and while there are moments that didn’t quite stick the landing, Selah proves to be a strong outing for Weaver. 

Selah initially presents as fanciful, and certainly holds onto that sentiment throughout, Writer-Director Lara Everly fully understands the direction that her film is headed (and how to make the most of the melting pot of emotions present within the narrative). Subtle hints to the film’s unknown provide viewers further insight into Selah’s story—and as the truth is slowly revealed the intensity is heightened. Other than the first few scenes, Selah achieves tonal perfection, blending humor, honesty, mystery, drama, and more in a way that allows the film to remain light, but also brutally honest. 

Selah is both sweet and salty—providing an effective juxtaposition in tone, captivating viewers and introducing them to a brilliantly talented young actor. Selah will warm your heart, crush you, and leave you wanting more. 

Written & Directed by Lara Everly. 

Starring Birdie Silverstein, Milana Vayntrub, Lauren Weedman, Eddie Blackwell Williams, Tom DeTrinis, etc. 

8.5/10 = WORTH RENTING OR BUYING