-Written by Kyle Bain.
A theological student, Vassily (Billy Gunnion), is just days away from his ordination–and, more than ever before, he is about to be tested. When a KGB agent, Fyodor (Michael Shaeffer), appears in his room, asking questions about his missing roommate, Vassily is forced to ask questions of his own. Saint Vassily explores the ideas of isolation, intimidation, and loyalty.
Sound is the driving force behind Saint Vassily, helping to transition from scene to scene and inviting viewers into the film. Whether it’s a simple humming or an aggressive sound from a ways away, sound is used impeccably well. Saint Vassily is all about ensuring that, even in the calmest moments, that there’s a darkness and intensity present. Sound is, first and foremost, the catalyst for this.
Additionally, light is used to guide the film and develop intensity that is meant to last throughout the film’s entirety. Darkness seems to creep in unnaturally, in ways that feel wildly out of place and nearly impossible, but they work on a metaphorical level that does, in fact, intensify the film. While there’s always a theoretical darkness present in Saint Vassily, around the halfway point is where the tone shifts greatly, where a literal darkness begins to play a role in the film’s development, but, more importantly, in the development of Vassily.
Vassily is a compelling character, full of flaws depicted in a way that still allows viewers to appreciate him. There’s something in Vassily that is innately human, and I like to believe that it’s his kindness that appeals most strongly to those watching. Gunnion’s performance allows Vassily to remain multidimensional throughout the duration of Saint Vassily, continuing to provide a series of reasons as to why he’s so compelling. He is paramount to Saint Vassily, its beating heart if you will–and this dynamic performance heightens the film every step of the way.
The scenario depicted in Saint Vassily is incredibly niche, however, Writer-Director Masha Egieva does a spectacular job of ensuring that it’s universally understood. Again, while the situations seen on screen are incredibly specific, Saint Vassily is able to extend itself in multiple directions and appeal to a wide-ranging audience.
Saint Vassily is succinct, effective in getting to the point and effectively communicating it to viewers. Every crevice of Saint Vassily is full of meaning, effective in reaching viewers through sight and sound–in a way that ultimately makes it immersive. A swiftly layered narrative is what viewers will get out of Saint Vassily, and a grounded, highly-effective performance by Gunnion creates a connection between the film and viewers. A spectacular use of lighting and sound help to develop intensity, create something powerful, passionate, and relevant. Saint Vassily is a brilliant film that brings real human emotion to life in a way that remains accessible throughout.
Written & Directed by Masha Egieva.
Starring Billy Gunnion, Michael Shaeffer, Jake Neads, Hugh Ross, Joe McEwan, etc.
8.5/10 = WORTH RENTING OR BUYING
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